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[W]hile you are free to stare at a blank ream of paper for 1000 hours, your publisher will only laugh [if you do]. Jeff Koons can have his interns paint his ideas, John Cage can sit in front of a piano for 4 minutes and 33 seconds, but writers lack the auspices of conceptual absence. Even conceptual writing requires that slow painful aggregate of words, one at a time, making something from nothing. Every word is work. There is no short cut.
—Jimmy Chen on the difference between conceptual writing and other types of conceptual art
a photographic topography

If the Apollo 11 astronauts had been stranded

Draft of the speech President Nixon was to give had the Apollo 11 astronauts been stranded.

gilleeeann:

How a sewing machine works  -> gif source

gilleeeann:

How a sewing machine works  -> gif source

The rage and self-loathing associated with hipsters has become more annoying, more naive, and more artificial than hipsters could ever hope to be. […] [W]hat remains for artists and bohemians who are legitimately trying to be part of a counterculture? You get the sense that if Jimi Hendrix were to show up in Echo Park today, he’d be publicly mocked in a style section piece on blipsters for wearing a feathered fedora.
—from another (very good) article on hipsters
noahkalina:

How Different Groups Spend Their Day - NYTimes

dailymeh:

Forgive me if I’m stating the obvious, but if certain people would just own up to their fascination with people, and especially people who live wild, transgressive, stupid, uninhibited, exciting, dangerous lives at the edges of the law and social convention, then maybe we wouldn’t have blurry polaroids of drugs, sex and crime, semen-stained collages and vandalized hotel rooms proclaimed iconic art.

It’s truly weird that in some circles, it’s considered ok to praise crappy pictures (so long as they show sex, drugs and rock&roll) or installations based on vandalism and bodily fluids, but it’s not ok to admit that you’re just really fascinated by the life the artist is living. Let’s just admit it: a life lived over the edge, cool or not, trendy or not, wise or not, is really interesting. It draws our attention like flies to a lightbulb. Maybe there’s something juvenile about it, maybe something else, but it’s clearly a tendency that many of us, many grown adults, have. I wonder how recent a trend this is and how much “art” is really a pretense for being fascinated by its creators. Who hasn’t occasionally wanted to experience living at its most extreme, completely uninhibited by social norms and common sense? Just to feel what it’s like? It’s understandable that when an individual who apparently does live that life comes along, we’d be interested. If we never dare to live that life ourselves — or if we’re wise enough not to try — then the next best thing is to spend time with, observe and listen to those who have. But of course you can’t admit that that’s your motivation, so you invent a pretext: you care about their art. It’s really about the art. All you want is a taste of the enthusiasm, the lack of inhibition, the fresh energy, the will to live, and so on, but, living a life very much constrained by what others think, you need a respectable facade to hide behind.

Lives are not art, but I suspect that the “performance” that is the lives of certain artists is what most of their enthusiastic audiences are really after. Certainly, I’ll admit that I don’t care much about shit (sometimes literally shit) presented as “art”, but that doesn’t stop me from being interested in the wild personality of the “artist”.

Interesting thoughts. Not sure what I think about it, but very interesting nonetheless.

‘Modern and Completely Correct Map of the Entire World’ (link)
Other interesting old maps from this article.

‘Modern and Completely Correct Map of the Entire World’ (link)

Other interesting old maps from this article.

‘The Catcher in the Rye,’ published in 1951, is still a staple of the high school curriculum, beloved by many teachers who read and reread it in their own youth. The trouble is today’s teenagers. Teachers say young readers just don’t like Holden as much as they used to. What once seemed like courageous truth-telling now strikes many of them as ‘weird,’ ‘whiny’ and ‘immature.’
—Kids don’t like The Catcher in the Rye anymore. I find that ‘weird,’ ‘whiny’ and ‘immature’.

Atlas, Schmatlas